Tag Archives: soulworks

Art Commissions — The Soulworks Project (Part 4)…The Finished Product!

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Please read Part 1, Part 2 and Part 3 to recap.

Let’s Pick Up with a Hiccup!

So I left off last weeks blog with a slight hiccup…

My client came to see the painting and she liked it but I could sense something was bothering her.

“I had misinterpreted her want for silver, black, a hint of green, pink and purple tones to mean that was all the colours she wanted in the piece.”

When we got into it she divulged that she had wanted more of an orange/pink glow in the sunset and that the whole painting was a bit monotone.  I had misinterpreted her want for silver, black, a hint of green, pink and purple tones to mean that was all the colours she wanted in the piece.

This turned out not to be the case.

What to do next?

I listened to her requests and told her that I would first come up with a digital overlay of what she was asking for.

“It is important to listen to the needs of your client…”

I do this to see what the painting will look like with the changes and if it actually suits the painting.  Here is what I came up with:

What I did here was take the photo of the painting and use the ‘airbrush’ feature in my Ulead programme (most photo editing packages have an airbrush feature) to paint in the required adjustments.

I saw that it actually brought the picture to life.

It is important to listen to the needs of your client but it is also important to stick with the integrity of the painting.  What does that mean?

Integrity Check

Well, if I feel that the changes that the client wants do not fall in line with the artwork then I will let them know.  If I feel strongly that it will ‘take away’ from the artwork, then I try to explain the potential hiccups in changing the piece.

However, in this case, the changes my customer wanted actually enhanced the artwork and I had to agree with her in the end, that it was for the betterment of the piece.

Once we had discussed all the little changes she wanted, I went back to the drawing board (or easel, in this case).

The Finished Project

After implementing the final adjustments to the painting, the Soulworks Project was complete!

Here is a picture of the finished artwork.

Available as cards and prints – click here

My client was thrilled it now hangs in her office/consulting room and she now uses it on her business cards and brochures as well as her website.  Check out her site at www.soulworks.co.za.

Don’t forget your FREE copy of my book ‘Creative Expression’ — GET IT HERE

How to find your inspiration…

Art Commissions — The Soulworks Project (Part 3)…Painting the Picture

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Please read Part 1 and Part 2 if you wish to recap.

Let The Painting Begin…

So with the prelim sketch having been accepted, the real work starts.  You will see, in the photographs below,  just why I never show the client the process.

Layering

Art is done in stages and layers and, usually, only the artist can see where they are going with the process.  If someone were to step into your studio, say, whilst you were busy with your first layer, they would — no doubt — think you were an amateur.

“The reward for any artist is seeing the process evolve into your visualization of it.”

Paintings are built up layer upon layer until the desired outcome is realized.  The reward for any artist is seeing the process evolve into your visualization of it.

Here are the beginning stages:

The canvas is good to go…

The first layer begins…

The second layer starts and you begin to see where this is going…

And then, drum roll, the finished product (or is it?)

Just to recap, here is the prelim sketch that I worked from:

I was very clear with my client that the prelim sketch would not show the intensity of the acrylic paint colours.  The sketch is always just an ‘idea’ of the colour scheme.

Next…

The next step in the process is to e-mail a photo of the painting to the client.  In this case, my client came to see it in person.  

The Plot Thickens — Hitting Unforseen Snags

This is where things get interesting.  Next week I will give the final stage in this commission and divulge what to do if your client has a slight change of mind or vision for the project.

Read  Part 4

Art Commissions — The Soulworks Project (Part 2)…the Prelim Sketch

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Please read Part 1 HERE

The Sketch

The next step of the commission process is to provide the client with a rough colour sketch of the proposed artwork along with a detailed description of how you got there.

With all the specs my client gave me (please see Part 1), I came up with this sketch and then gave her an explanation of how I got to this stage by providing her with the inspiration behind the piece.

INSPIRATION BEHIND THE PIECE.

The trees represent mankind/womankind with their arms (branches) stretched out to the heavens and the feet firmly rooted in the earth.  However, to the left of the painting are a couple of souls who are still turned to the darkness – the illusion of reality and who they are – not being able to turn to the light (sun) yet.  There is one soul making her way to the river to cross it and join the others (she has her branches stretched out to them) on the other side who have fully awakened to the light of the dawn that is upon them.

I have subtly put various branched protruding from the trees turned to the dark to show the obstacles they still have to clear (branches to be pruned)…the trees on the other side of the river are streamlined and facing upwards.

The sun represents the light and the new dawn in one’s life.  The ‘enlightened’ trees are gravitating more toward the sun/light.

The river will reflect silver tones of the light (reflections of the sun/dawn) reaching every corner of the world through the stream of ever flowing energy that can’t be stopped.  It passes the lavender field, nourishing it and causing the flowers to bloom (carrying the theme of flowers being the manifestation of a plant’s enlightenment).

The lavender to the left are swaying in the direction of the right – where the painting is being directed – the blossoming of full consciousness.

The wash of butterflies heading toward the flowers begin as a mixture of hearts and butterflies, putting across the concept of love and loving yourself enough to let yourself be free and fly in the beauty of creation.  The conclusion of the painting is the 2 butterflies alighted on the flower – they have found the piece/peace of beauty in this world.  That will be the focal point of this painting.

I also liked the concept – for you Tracy – of the female trees being on top of mountains to represent a little personal touch that you can relate to with your climbing and reaching new heights.

Please also note that this is a very rough sketch – it is A4 in size.  You can imagine that the canvases will be a lot more detailed as I will have a lot more space to ‘do my thing’.  This is really just an idea of content and colour.  The real thing always is far more impressive.  For instance, the butterflies will be a lot more detailed – I would like to incorporate some silver swirly design in their wings and want them to perhaps be more of a lilac colour (like white with a hint of purple).  So they will be more detailed as will the lavender and the mountains, trees, etc.  I want to subtly incorporate the patterned backgrounds I do (in silver) onto the mountains (I have done a little bit of this in the sketch but it will feature more prominently in the painting).

The next stage (Part 3 — next Wednesdays blog, 25th January 2012) I will show you the process of painting and why I never show the client the painting while it is a work-in-progress. To follow this blog via e-mail and get instant updates when a new blog is posted, please click the ‘follow’ button in the sidebar.

Read Part 3 & Part 4


Art Commissions — The Soulworks Project (Part 1)…meeting with the client

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A step-by-step guide on how a commission is put together

A lot of artists would like to know how one goes about starting a commission and there are also a lot of people who would like to have something commissioned but are too scared to ask.

What is the procedure and what is involved in the process of a commission?

The Key Steps

  • Meet with the client and get a feel for what they want — show them your portfolio
  • If you accept the job, the next step is to supply the client with a quotation for the job (upon acceptance of the quote, I usually require a deposit of 50%)
  • Draw up a prelim sketch of the artwork and give a detailed synopsis of how you got to this stage with the information and specs the client has given you
  • Start the job and show the client the finished work (I usually refrain from showing the client the process as it could cause confusion, as you will see in the blogs to come)
  • Present the client with the finished painting — I usually send a photograph before they actually see it ‘in the flesh’
  • Voila (oh, and get the rest of your payment!)

In the weeks to follow, I will be taking you through the last commission that I did for a very special client who wanted a triptych for her office.  I will be addressing every step that is taken up until the painting is delivered.

Today’s Art Blog is going to look at the first step:  Q&A

Step 1 — What does your client want?

This is obviously a very important step and one of the deciding factors if you and your client are on the same page.  When you have finished questioning your clients likes and dislikes, you can assess whether or not you resonate with each other and the project.

I never take on a commission that I don’t feel comfortable with.  If it goes against my style, principles or anything else, this step will let me know if I will proceed with the client to the next stage which is quoting for the job.

Here were my clients specs for this commission:

She wanted to incorporate

  • Nature
  • Butterfly (part of her logo)
  • Silver spirals/patterns
  • Peace
  • Connection
  • Mountains
  • Well-being
  • Joy, Beauty and Fulfillment
  • Inspiration
  • Passion
  • Green, purple and silver colours
More specs from the client — you can never know too much, only too little!

When we discussed these ideas, she conveyed to me that she liked the spiral patterns I use in my art (see picture below for example) and she also liked the idea of having a human form in a tree (see my other picture below).

 “It is vital that you show your client a portfolio…”

This was important information and got me on track to visualizing this piece.  It is vital that you show your client a portfolio so they can point out the colours, subjects and styles they like of yours.  It also helps the client get an idea of what you are capable of doing.

As she is having this painting commissioned for her office, we also delved into her practice and what that entails.  She is an NLP practitioner (Neuro-linguistic Programming) who wants something pleasant for her clients to look at whilst in they are in session.  It has to be something that ties in with what she offers.

Next week I will be posting the prelim sketch of the painting along with the detailed synopsis of how I interpreted her needs.

Read Part 2, Part 3, Part 4